ACADEMIC STUDIES
2013/2017 Graduated from the University of Fine Arts. Sevilla/Barcelona SPAIN
2011/2013 Fire enamels on metals, Escuela de Arte. Sevilla SPAIN
2021 Art and marke, Fundacion Pons. Madrid SPAIN
ART FAIRS / RESIDENCES
ArteBA2023 by TRA Gallery. Buenos Aires, ARGENTINA
2021 "Gøtulist føroyar" Faroe Islands DENMARK
2020 Void Projects, Miami USA
2019 "In wall we trust" International Street Art Festival. Airola, Naples ITALY
INDIVIDUAL SHOW
2025 “Give me sugar” City State Enterprise. Miami, USA
2024 “In the heat” Soho House Beach. Miami USA
2022 "Mom, let me be an animal for one day" Tomas Redrado Art Gallery. Miami USA
2020 "I have an idiot inside me" Edge Zones Gallery. Miami USA
2018 "Soy colectiva" Sala Kstelar, Junta de Andalucia. Sevilla, SPAIN
2017 "Figure and landscape" La Fronda space, Alajar.Huelva SPAIN
COLLECTIVE SHOW
2025 “borderline” by Queue Gallery. Miami USA
2024 “Season of tireless pleasure” Edge Zone. Miami USA
2024 “Painting now and forever” Edge Zone. Miami USA
2023 "Wet" Tunnel Projects. Miami USA
2021 “Curated Storefronts” Truenorth Akron, USA
2020 "Impermanence" Urbanism Summitin collaboration with Void Projects. Miami USA
2020 Festival of murals "home" Void Projects. Miami USA
2020 "72H" Zunino Gallery. Seville SPAIN
Gabriela Ayza Aschmann (b. 1991, Germany) is a multidisciplinary artist based in Miami. She graduated from the University of Fine Arts of Seville, Spain, and has participated in artist residencies in Italy, Denmark, Spain, and the United States. In 2023, she presented her work at ArteBA (Buenos Aires), and her most recent solo exhibition, Give Me Sugar (2025), took place at City State, Miami.
Her practice moves across painting, analog photography, sculptural objects, and installation. Ayza Aschmann explores the complexity of emotional experience, particularly the raw and imperfect ways love manifests, drawing from both personal and collective narratives. Her work reflects a critical approach to representations of femininity, blending sweetness, irony, and intensity through a deeply symbolic language.
Three recurring threads define her practice: lived love, desacralized symbolism, and feminine satire, which together sustain a dialogue between strength and fragility.